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During the 16th century, imitators of Albrecht Dürer's style of printmaking added signatures to them to increase the value of their prints.In his engraving of the Virgin, Dürer added the inscription "Be cursed, plunderers and imitators of the work and talent of others". In 1496, Michelangelo created a sleeping Cupid figure and treated it with acidic earth to cause it to appear ancient.The 20th-century art market has favored artists such as Salvador Dalí, Pablo Picasso, Klee and Matisse and works by these artists have commonly been targets of forgery.These forgeries are typically sold to art galleries and auction houses who cater to the tastes of art and antiquities collectors; at time of the occupation of France by German forces during World War II, the painting which fetched the highest price at Drouot, the main French auction house, was a fake Cézanne.This practice was generally considered a tribute, not forgery, although some of these copies have later erroneously been attributed to the master.Following the Renaissance, the increasing prosperity of the middle class created a fierce demand for art.Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler.the contemporary buyers knew that they were not genuine.
As a payment for the training, the master would then sell these works.One of these forgers was his son Jacques van Meegeren who was in the unique position to write certificates stating that a particular piece of art that he was offering "was created by his father, Han van Meegeren".Forgers usually copy works by deceased artists, but a small number imitate living artists.There are essentially three varieties of art forger.
The person who actually creates the fraudulent piece, the person who discovers a piece and attempts to pass it off as something it is not, in order to increase the piece’s value, and the third who discovers that a work is a fake, but sells it as an original anyway.He then sold it to a dealer, Baldassare del Milanese, who in turn sold it to Cardinal Riario of San Giorgio who later learned of the fraud and demanded his money back.